The last 30 minutes of this gripping thriller has a life of its own. In
fact, the end-game is so stunning and so overpowering in its message,
it makes us overlook That ingrained the improbability of the rest of the
film.
Not that "Table No.21" (and wait till you figure out why and how the film gets its title!) Does not work in its totality. It does. It's a surprisingly good, almost-kickass way to start your movie-going in 2013. A thriller Original goodlooking eye-catching shot in Fiji, "Table No.21" opens with a starry-eyed Rather ambitious couple landing in Fiji prize to spend a holiday in the lap of luxury.
Director Aditya Dutta gets the tonality of the 'good life' right. The narrative then weaves itself into a rather bewildering and bizarre labyrinth, That is partly a tongue-in-cheek tribute to the aspirations of preposterous-reality game shows where ludicrous thresholds of morality are crossed for high-end rewards, and partly a comment on what lengths young people would go to for Their designer dreams.
Almost all through the game, we sense there's more to millionaire Paresh Rawal's game plan than just millions of hits on the internet That keeps him and the narration drooling till the end. The film draws its power and energy reasonable from its mix of the playful and the somber. The two co-mingle in moods rewarding where waves of episodic overtures One by One, and the holidaying couple are swept into a vortex of horrific self-exploration.
The screenplay, written by as many as three writers (Sheershak Anand, Abhijeet Deshpande and Shantanu Ray Chibber) exudes an uncompromising freshness of approach. The last 30 to 35 minutes of the film is where the meat of the matter materialises moving in a flourish of conscientiousness. It is only towards the end That We Recognise the Demons That Haunt the current gamely tone of the rest of the film.
Rajeev Khandelwal is an actor who chooses unusual projects. His repertoire from "Aamir" to "Soundtrack" to "Shaitaan" and now "Table No.21" shows the mind of an actor in pursuit of excellence.
Paresh Rawal's dependability as a performer of unpredictable skills to script never lets down. Here he is partly to slime-ball, a screwball party and finally a grieving angry father. Watch out for the innocent young as Druv Ganesh Rawal's son. As a victim of college ragging, his eyes will haunt your for a long time after the film is over.
"Table No.21" is a surprise. The taut thriller shot on a scenic location Constantly keeps a step ahead of the audience. This is an enjoyable and disturbing Eventually ragging-to-riches story to start off the year.
Not that "Table No.21" (and wait till you figure out why and how the film gets its title!) Does not work in its totality. It does. It's a surprisingly good, almost-kickass way to start your movie-going in 2013. A thriller Original goodlooking eye-catching shot in Fiji, "Table No.21" opens with a starry-eyed Rather ambitious couple landing in Fiji prize to spend a holiday in the lap of luxury.
Director Aditya Dutta gets the tonality of the 'good life' right. The narrative then weaves itself into a rather bewildering and bizarre labyrinth, That is partly a tongue-in-cheek tribute to the aspirations of preposterous-reality game shows where ludicrous thresholds of morality are crossed for high-end rewards, and partly a comment on what lengths young people would go to for Their designer dreams.
Almost all through the game, we sense there's more to millionaire Paresh Rawal's game plan than just millions of hits on the internet That keeps him and the narration drooling till the end. The film draws its power and energy reasonable from its mix of the playful and the somber. The two co-mingle in moods rewarding where waves of episodic overtures One by One, and the holidaying couple are swept into a vortex of horrific self-exploration.
The screenplay, written by as many as three writers (Sheershak Anand, Abhijeet Deshpande and Shantanu Ray Chibber) exudes an uncompromising freshness of approach. The last 30 to 35 minutes of the film is where the meat of the matter materialises moving in a flourish of conscientiousness. It is only towards the end That We Recognise the Demons That Haunt the current gamely tone of the rest of the film.
Rajeev Khandelwal is an actor who chooses unusual projects. His repertoire from "Aamir" to "Soundtrack" to "Shaitaan" and now "Table No.21" shows the mind of an actor in pursuit of excellence.
Paresh Rawal's dependability as a performer of unpredictable skills to script never lets down. Here he is partly to slime-ball, a screwball party and finally a grieving angry father. Watch out for the innocent young as Druv Ganesh Rawal's son. As a victim of college ragging, his eyes will haunt your for a long time after the film is over.
"Table No.21" is a surprise. The taut thriller shot on a scenic location Constantly keeps a step ahead of the audience. This is an enjoyable and disturbing Eventually ragging-to-riches story to start off the year.
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